FIGHTING IN THE STREETS
A living arena: light, shadow and weather
Recorded prototype · Explanatory captions

[0:00] A living arena: light, shadow and weather
A fighting stage that changes with the world.

[0:04] Four times of day. Three scenery planes.
Dawn, day, dusk and night use separate paintings.
Far, middle and near layers create depth.

[0:10] Sunset responds to the skyline
Partial skyline exposure strengthens warmth and glare.
The sun passes behind the painted scenery.

[0:17] Cool moonlight. Warm local lamps.
Moonlight cools the stage.
Nearby lamps add directional, colored light.

[0:22] Light reads the pose
Light responds to values on the pose’s surface.
The original painted colors remain part of the result.

[0:28] Shadows belong to the moving silhouette
Moving silhouettes follow the light direction.
Pose, facing and position feed the 2D lighting model.

[0:33] One lighting model across the cast
The lighting model follows different character shapes.

[0:37] Rain makes contact
Rain hits mapped floor depths and moving sprite surfaces.

[0:43] Snow follows the animation
Snow uses frame-specific surface shapes.
Accumulation follows the pose instead of a fixed stripe.

[0:49] Bruno’s harbor has its own moving water
Dedicated water paintings loop between scenery layers.

[0:53] Fighting in the Streets
2D surface approximation · World state is saved per browser.
Original designs and artwork by Keyeske Yamada.
Game made completely in Codex GPT 6.1 SOL.
Music scores by Codex, remixed in Suno.

Footage notes: sunrise and sunset are accelerated world-clock tests. All game excerpts are existing verified prototype captures; the same-pose comparison enlarges exact native screenshot pixels. No new capture or newly completed fix is claimed.

Limitations: surface values and shadows are inferred 2D approximations, not 3D geometry or fluid simulation. Time/weather state is browser-local, without authoritative synchronization across computers. The dedicated animated harbor-water demonstration is Bruno’s stage.